of the Harlot and the Rake series. Mary Webster, "Hogarth 'pittore dell'umanit' ". On the Tate's unveiling of the large, montage-style painting, donated to the Coram Family by artist Rosa Branson, which shows the establishment of the London Foundling Hospital in 1739. Additionally traces South Sea motifs in other early works by Hogarth. Der englische Maler William Hogarth.
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This chapter also goes into Hogarth's ironic use of the triangle motif. A Paradox: Sex, Crime and Protestant Religious Art 643.10.14. William Hogarth, Before and After. Explains, for instance, that the medical profession was seen as quackery - a ninjoi angels thesis point William Hogarth epitomised in The Company of Undertakers - and medicine as a theatre of cruelty, which is is supremely expressed in The Reward of Cruelty. Sertoli's review of the modern Italian translation. John Trusler, To which are added, Anecdotes of the Author and his Works,. First part of a detailed analysis of the six prints of Hogarth's A Harlot's Progress. Mentions that Heinrich Heine "speaks of the paintings of the 'Marriage la Mode' as being the most inharmonious display, the worst assemblage of crying colours in the world. Includes subchapters on Gin Lane and Beer Street.
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