album was most notable perhaps for the lengthy Rawlinson End, a brilliant and eccentric Viv Stanshall masterpiece that was the forerunner of a number of classic episodes of Sir Henry's saga in subsequent years. Pleasant rather than essential, but ideal for when you wheel the stereo speakers out into the garden for that summer barbecue. Ian handles the thoughtful, stripped-down Clive Gregson-style acoustic ballad Behind Disguise and the standout folk-rock troubadour ballad Aching And Waiting with considerable credit too. The copy I was sent for review came with a bonus disc containing " Battle Of Evermore " Superstition " and " Songbird all of which are pleasant enough - but your copy of " The Old Hyde " doesn't contain it, you're not missing. The musical backdrop keeps that country blues meets Hank Williams at his bluest feel. But if you bought Volume 1 then you'll want Volume 2, especially as it's for a really worthy cause.
Bruce's voice hasn't suffered too much over the years and Trower is playing just as good as ever. Truly timeless recordings like Tribute To Buddy Holly (hard to believe it attracted controversy at the time for being allegedly insensitive due to its "morbidity" and its over-close resemblance to Buddy himself! So, it comes a surprise to discover, suffering mental illness himself, Christianzo trawled inspiration for his stories from a New Jersey jail and various mental hospitals, seeking out, as he says 'people that were in horrific psychological pain' for an album that's intended 'to make. Yes, this attractive and well-planned programme does Baggyrinkle credit. Sound on El Paso Caf but the fiddle manages to hold on to the country roots. As indeed here with Freak Flag well almost, I guess. For that, he needed control over the entire context of the park.
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Perhaps the full-on gambit tends toward the predictable on The Hand Weaver And The Factory Maid, but there's still plenty of incidental detail edging craftily in and out of the busy texture to keep the ears and mind occupied. and although to be fair they're still on occasion displaying traces of that partially (if unconsciously) adopted "Bellowhead meets Duncan McFarlane Band" mantle, by and large they show they can rise above such pretensions. Transfiguring punk classics into folk songs, those who hadn't actually heard the debut album by Adrian Edmondson, Maartin Allcock, Andy Dinan, and Troy Donockley might have thought it was a bit of a gimmick. M Michael Mee, Editor, Hawick News Oct 2006. M Mike Davies September 2008 Blowzabella - Dance (Own Label) This is a live album with a difference, for it's both a technically faultless and faithful reproduction of a stage show and, more importantly, possesses, or should I say is possessed of, that often elusive. The album includes just a few acappella items (the delicious patter of Hogmanay stands out here but elsewhere Steve's own accompaniments - on guitars, bouzouki, cittern and bodhrn - are a model of restrained taste and gentle fluidity; he's also enlisted the occasional help. Produced by Bogguss it still sounds like a polite and well crafted studio product rather than conjuring images of front porches and dusty hillsides, but there's no doubting the sentiments and passions behind it and her voice is open and honest. I looked at Mimi. The episodes are punctuated with brief but attractive piano interludes (composed by Michael Cosgrave and inspired largely by Scottish dance forms).