Black Women Writers at Work, 1985) hence, her desire to have blond hair and blue eyes. Right before Cholly completes this action, the confused mixture of his memories of Pauline and the doing of a wild and forbidden thing excite him, and a bolt of desire runs down his genitals (162). MacTeer, explaining Pecolas situation, says that old Dog Breedlove had burned up his house, gone inside his wifes head, and everybody, as a result, was outdoors (16-17). Cholly is impulsive, always doing what he wants and what makes him happy. In fact, it in Pecolas eyes the root of her unhappiness is the fact that she is not white. Long hours she sat looking in the mirror, trying to discover the secret of the ugliness, the ugliness that made her ignored or despised at school, by teachers and classmates alike (Morrison 45). New York: Rinehart and Winston, 1970. Cholly Breedlove, a main character from Morrisons novel, can be examined using Freudian psychoanalysis as he struggles to maintain his ego and as he struggles with the Oedipal complex, raping his daughter Pecola. This short novel counterbalances two points of view: one, the tragic consequences of racism (in the Breedlove family and two, agency and resistance to that racism (in the MacTeer family). This action ties in with his id, in that he acts impulsively to fulfill his wants.
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After he impregnates Pecola and she is beaten by her gonzaga admission essay prompt mother for it, Pecola (with the treachery of Soaphead Church, a faith healer) goes mad, believing she has obtained her blue eyes. Pauline counters by moaning something awful to teach the doctors that just cause I wasnt hooping and hollering before didnt mean I wasnt feeling pain. But with blue eyes, she thought, everything would be different. Like the marigolds portrayed in the novel, she never gets a chance to nurture because she belongs to a society, which is a hub of racism. Not only that but her skin is darker than that of other African American children which makes her an object of ridicule even for them. Much as Pecolas world falls apart in the novel, the Dick Jane passages, repeated three times, degenerate into formless, meaningless print: seemothermotherisverynice. She cannot even enjoy a piece of candy without feeling that she is different and lacking in some way in terms of beauty. These cultural pressures of what defines beauty make Pecola aware of just how much she strays from that defined beauty. Pecola, since her birth, has been subjected to violent rejection and abuse, even from her close relatives. Cholly only ever rapes Pecola because she reminds him of Pauline, and this. As a tragic heroine witnessing the slow destruction of her own hope, she captures the sympathy of every mind.
In her eleven years, no one had ever noticed Pecola. She becomes a reminder of human brutality, a symbol of human affliction and a witness of the total absence of human recognition (48). According to Pecola her troubles come from her dark skin which departs very far from her ideal of white beauty. She has internalized the white beauty standards and has taken all the smoothly cultivated ignorance and their exquisitely learned self-hatred (65).